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Once more, the melody is enticingly simple and insistent. He’s one of those teachers who likes being “down with the kids”—all gelled hair and “call me Jeff.” He’s also the reason our version of Romeo and Juliet is set in a Brooklyn ghetto and Juliet is leaning out of a trailer rather than a balcony. Beaconsfield, but then, he does always cast her in all the lead roles. Teachers shouldn’t want to hang out with teenagers. I don’t know how people can actually perform onstage. That’s another cringe-fact about him—the way he calls us all by a nickname. Oh my God, Juliet used to be played by a man back in Shakespeare’s day! I look up at Ollie, who is currently gazing up at Megan. ” Ollie asks, when he finally gets to the end of his speech. Beaconsfield and the two assistant directors, all of the seats are empty. To say I’m not very good with crowds would be a bit like saying Justin Bieber isn’t very good with the paparazzi. Just as I get back to my safe spot at the side of the stage my phone bleeps again. “Shouldn’t Penny take a picture of me in this scene too? His one has STUD printed on the front in black diamante. The lovely "Andalucia" is driven by Eastwood's simple, repeated, acoustic bass riff and Kaine's fluid, more complex, percussion.Flowers' trumpet flies over the top, evoking the vastness and beauty of the Andalucian countryside, while Eastwood's solo adds a touch of North African spirit.