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– EDINBURGH – japanned ware (but probably not dials) 1773 CROW, EDWARD – BIRMINGHAM – clock dials 1822 to 1839 CROW, THOMAS – BIRMINGHAM – clock dials 1841 to 1852 DALLAWAY, WILLIAM – EDINBURGH – clock dials 1775 to 1793 & later DALLAWAY & SON – EDINBURGH – clock dials c1797 to 1812 (&later?) DENNISTON, JOHN – HALIFAX – clock dials & painter 1834 DREW, JOHN (later SHEARERS) – GLASGOW – clock dials 1835 to 1868 EGGINTON, THOMAS & JAMES – BIRMINGHAM – dials 1841 to 1842 FELTON, ELI, BIRMINGHAM 1808-1818 FINNEMORE, GEORGE – BIRMINGHAM – clock dials 1846 FINNEMORE, WILLIAM I – BIRMINGHAM – clock dials 1812 to 1825 FINNEMORE, WILLIAM II – BIRMINGHAM – clock dials 1849 to 1852 FINNEMORE, WILLIAM & GEORGE – BIRMINGHAM – clock dials 1839 to 1846 FINNEMORE, WILLIAM & SON – BIRMINGHAM – clock dials 1828 to 1836 FLETCHER, JOHN WRIGHT – 1846-? – BIRMINGHAM – clock dials c1810 to c1820 FRANCIS, SARAH – BIRMINGHAM – clock dials 1835 to 1843 FRANCIS, WILLIAM – BIRMINGHAM – clock & watch dials c1810 to c1840 HALLIWELL, JOHN – WERRINGTON – 1780 to 1822 HANNAHAN, WILLIAM – DUBLIN, working in 1820 HAND, SAMUEL – BIRMINGHAM – clock dial writer 1851 HAROLD & HIPKISS – BIRMINGHAM 1797-1811 HAYES, JOSIAH – SNOWHILL, BIRMINGHAM – 1800 to 1831 HAYES, JOSIAH & SON – BIRMINGHAM – 1835 to 1836 HILL, ROBINA – LIVERPOOL- clock dials 1804 to 1832 HIPKISS & HARROLD – BIRMINGHAM – clock dials 1797 to 1805 HIPKISS, RICHARD – BIRMINGHAM – clock dials 1808-20 HITCHENS, SAMUEL – BIRMINGHAM – clock dial worker 1861 HOBSON & HODGKINSON – BIRMINGHAM – clock dials c1815 or later HOBSON, L – BIRMINGHAM – clock dials c1830 HOBSON & TODD – BIRMINGHAM – clock dials c1800 HOBSON, TODD & HODGKINSON – BIRMINGHAM – clock dials 1808 HUNT, S. JOHNSON, ALEXANDER – EDINBURGH – japanner 1898 JONES & CARTER – BIRMINGHAM – clock dials c1810 JUKES, JOHN – BIRMINGHAM – clock dials 1839 to 1870 JUKES, JOSIAH – BIRMINGHAM – clock dials 1839 to 1842 KEAT, EDWARD – LONDON – clock dials c1810 to c1820 KEELING, THOMAS – Birmingham, clock dials 1797 – ca 1825. – BRIDGWATER – clock dials c1820 to c1825 RAINER, JAMES – BIRMINGHAM – dial painter 1841 to 1851 REED, J. – BIRMINGHAM – clock dials c1850 RUSSELL & BELL – EDINBURGH – japanner 1824 RUSSELL & CLARK – EDINBURGH – dial makers c1835 to c1840 SAINTSBURY, JOHN – LONDON, factor with own falseplates? – EDINBURGH – japanner/clock dials c1840 SMITH, RICHARD – BIRMINGHAM – dial maker 1777 to 1785 SMITH, T.The signature on the dial is that of the clockmaker; dialmakers would often stamp their details on the rear of the dial or cast them into the falseplate – an iron rectangle approx 8 ins by 5 ins which connects many dials to their movements.

“From good local knowledge between officers somebody suggested a name of one person who matched the description and he was arrested.

He had two puncture wounds in the clavicle area on his chest close to the shoulder.” Any witnesses are asked to contact DC Debbie Johnston at Thetford CID on 101.

It’s quite easy to date a painted dial longcase clock.

Follow the simple instructions below and you’ll soon get the hang of it. They fall into three distinct types, commonly known as period one(1770-1800), two (1800-1825) and three(1825-1860). Whereas period one corner decoration tends to be simple gold scrollwork OR little flowers, fruit or the occasional bird, period two dials TEND to have either geometric shapes, or shells, or abstract patterns – usually with a little more colour than period one.

This dial is typical of about 1800: I can’t stress strongly enough – these people are NOT CLOCKMAKERS , they are the people who made the dials which the clockmakers used.

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